The rich, warm sound takes you back to the classic F.E.T. studio microphones. But there’s nothing remotely old-fashioned about the technology behind that vintage sound. The AT4047/SV studio condenser’s dual-diaphragm capsule design maintains precise polar pattern definition across the full frequency range. With a wide dynamic range, incredibly low self-noise and high SPL capability, this versatile microphone excels on vocals, strings, acoustic guitar, instrument ensembles, small vocal groups and voiceovers.
AT4047/SV. It’s another in a venerable line of studio artists’ dreams come true: the 40 Series, from Audio-Technica. +3 Features Designed for critical studio, live sound and broadcast applications Transformer-coupled output and specially-tuned element provide sonic characteristics reminiscent of early F.E.T. studio microphone designs Exceptionally low self-noise, wide dynamic range and high SPL capability Dual-diaphragm capsule design maintains precise polar pattern definition across the full frequency range of the microphone Precision-machined, nickel-plated brass, acoustic element baffle provides enhanced element stability and optimal sensitivity Vintage silver-matte finish on microphone and shock mount Open acoustical environment of the symmetrical housing assembly minimizes unwanted internal reflections State-of-the-art surface-mount electronics ensure compliance with A-T's stringent consistency and reliability standards Switchable 80 Hz hi-pass filter and 10 dB pad Custom shock mount provides superior isolation Specifications
AT4047/SV. It’s another in a venerable line of studio artists’ dreams come true: the 40 Series, from Audio-Technica. +3 Features Designed for critical studio, live sound and broadcast applications Transformer-coupled output and specially-tuned element provide sonic characteristics reminiscent of early F.E.T. studio microphone designs Exceptionally low self-noise, wide dynamic range and high SPL capability Dual-diaphragm capsule design maintains precise polar pattern definition across the full frequency range of the microphone Precision-machined, nickel-plated brass, acoustic element baffle provides enhanced element stability and optimal sensitivity Vintage silver-matte finish on microphone and shock mount Open acoustical environment of the symmetrical housing assembly minimizes unwanted internal reflections State-of-the-art surface-mount electronics ensure compliance with A-T's stringent consistency and reliability standards Switchable 80 Hz hi-pass filter and 10 dB pad Custom shock mount provides superior isolation Specifications
| Microphones | |
|---|---|
| Element | Externally-polarized (DC bias) condenser |
| Polar Pattern | Cardioid |
| Frequency Response | 20-18,000 Hz |
| Low Frequency Roll Off | 80 Hz, 12 dB/octave |
| Open Circuit Sensitivity | -35 dB (17.7 mV) dB re 1V at 1 Pa |
| Maximum Input Sound Level | 149 dB SPL, 1 kHz at 1% T.H.D.; 159 dB SPL, with 10 dB pad (nominal) |
| Noise | 9 dB SPL |
| Dynamic Range | 140 dB, 1 kHz at Max SPL |
| Signal-to-Noise Ratio | 85 dB, 1 kHz at 1 Pa |
| Phantom Power Requirements | 48V DC, 3.0 mA typical |
| Switches | Flat, roll-off; 10 dB pad (nominal) |
| Weight | 14.5 oz (410 g) |
| Dimensions | 6.69" (170.0 mm) long, 2.10" (53.4 mm) maximum body diameter |
| Output Connector | Integral 3-pin XLRM-type |
| Accessories Included | AT8449a/SV shock mount for 5/8"-27 threaded stands; microphone dust cover; protective carrying case |
| Audio-Technica Case Style | R1 |
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